Sunday, January 20, 2019



Star Trek Discovery” Season 2 Rough Sailings Ahead (A Review)

When CBS launched accolades and heaped praised upon itself for making the announcement that it was embarking on a much prestige can in its highly coveted TV Vault and that was the reimagined Star Trek. Specifically, it would be called Star Trek: Discovery and it would take place ten years before The Enterprise exploits.. It also would change one of the principal canons of Star Trek, giving Spock an adoptive human sibling, much to the chagrin to the fandom core constituents. This wasn’t the only alteration to the core of Star Trek had come to challenge but when it came to Spock, it was a central one.
So, Season 1 began with The Klingon War started by Star Trek officer, Michael Burnham, the adoptive human sister to Spock, and at the end of Season 1, The Klingon War had come to a conclusion, thanks in part to Michael Burnham. This must be noted because Michael Burnham was court-martial at the beginning of the first season but somehow winds up back on a ship serving a captain. I’m assuming it’s the scared straight program of Rygel 4. Keep in mind that she got her captain killed in battling the Klingons. So, this is Season 2 now. Michael Burnham gives a speech at Federation Command, her conviction is tossed out, she has redeemed herself, her captain turns out to be someone else, he gets killed and all is right with the universe. At the beginning of this season, Burnham has an opening prologue that has identity politics laced throughout it and you question the veracity of it all as this is a show where the origins of species is a vast complex admixture. Season 2 opens up with what is assumed to be a young Michael Burnham climbing a flight of stairs as she is about to be introduced to a young Spock. Keep in mind that the Vulcan canon on child rearing and education is already locked and this reimaging tosses everything out on its ass. At the end of Season 1, The Enterprise shows up with Captain Christopher Pike on board. As Star Trek canon goes, this is one of the holy grail s where we have Pike-Enterprise-Spock and a raw and unrefined Spock at that. However, this canon is altered by several factors, the Michael Burnham factor, The Enterprise factor, the timeline factor, to name a few but let’s march ahead with this equation, shall we?
Pike is played with assured self-confidence by Anson Mount. You may recall him from Marvel’s ill-fated ABC show, Inhumans. In his role as Pike, they establish himself as an officer beaming with self-assured confidence and as one who has been doing the captain thing for quite some time. He comes on board with two of his officers, neither of which is Spock. Spock apparently is not on board as he has left the ship in a quest o find an answer. Yep, that’s as vague as one can get. I must also make note that of the complement of Pike’s officers, one of them is female while the other is apparently a straight white male. This notation will become apparent and carries a note of significance later. Pike quickly establish himself as the new captain of discovery when he wrests command from acting Captain Saru. And because Discovery had an imposter captain in the past, Pike must be DNA verified as being the said Pike. I had an issue with this scene, in particular, surrounding the character of Tilly played by Mary Wiseman. When did Tilly turn into a guffawing buffoon falling into a teenage fangirl mode meeting a boy band? Tilly is awestruck with Pike as she attempts to place his hand in position on the console to read his DNA. Why was this behavior displayed? Last year, her aspirations were to be a commanding officer but if this is how she behaves, I do not wish to be under her command. And then there is the screening of Pike’s DNA. Why show him receiving an ‘F’ to what is equivalent of him being in grade school? What about the Kobayashi Maru testing? That should have been a key test in confirming Pike’s pedigree.

So why is Enterprise out there is the first place? Well, it was following red pulses embedded within an asteroid cluster. Burnham, Pike and his two officers investigate the asteroid cluster in these individual pod skimming vessels. Burnham makes notes that she has withstood so many g-forces while piloting the vessel. Why the humble brag? Well, the single white male takes exception to this humble brag and challenge her statement and because if that, he’s immediately killed by an asteroid shard. Challenge Burnham and they’ll kill you off. They’ll redshirt you like the TOS. Now Pike’s pod malfunctions and it’s up to Burnham to rescue him. Convenient. He gives her direct orders and she disobeys. , again. She enlists the aid of two of the other women on Discovery and this is an obvious maneuver of the perception of women over men ploy device as they rescue the captain as Burnham affirms the women's gender in performing the task. Burnham disobedience is not even addressed but placed as being interrupted before she could make her point. Where in anyone’s military would that be accepted?
So they get to the base of the asteroid cluster to find a federation ship crashed within the array. There are survivors on the ship led by a science officer who has culled together parts and scarps to make devices that have sustained the remaining survivor's lives. This science officer is now performing brain surgery on one of the survivors. Yeah, it’s beyond the point of credibility at this point. Now the asteroid cluster is starting to lose its integrity so now all the survivors must be transported onto Discovery. They do it is two transport maneuvers but there is a problem of course. Burnham jumps into action and fixes the transporter issue not once but twice. The last procedure leaves her stranded on the asteroid field while the federation ship falls apart around her. As she is dodging ship parts, she is struck by a piece of debris and her suit is compromises and she has a major femoral tear coming out of her leg. Now, I’m no science officer but when your suit is compromised by the level of a tear to the suit and you have a deadly femoral artery tear, I’d say you have one second to life. But somehow she talks and doesn’t go into shock and wallow, she’s in sickbay getting healed up.
Now to this point of the discussion, I must point out that Michael Burnham is a full-blown Mary Sue. For the uninitiated, a Mary Sue is a woman character who has no flaws, is idealized, a competent character, knows more than you and comes off a too perfect to believe. Micheal Burnham ignores the laws of space and runs through a debris field like a gazelle. Burnham takes a deadly shrapnel injury to a femoral artery and survives. Burnham's space suit doesn’t have any signs of decompression failure after being ripped by shrapnel. Burnham rescues the captain with aplomb. Burnham talks back to the captain. Burnham knows how to fly a pod like a Jedi recruit. Burnham can fix a transporter problem in under 60 seconds. Burnham can recall a childhood memory surrounding Spock and figure out what ‘s troubling him before anyone can and decipher his digital pictograph.
Star Trek: Discovery is a paid service on CBS Access Network. CBS is pushing this service and its agenda but at what cost? There have been accusations that CBS has been salting the mines with paid or influenced favorable reviews with the promises of free merchandise and what not. It is also alleged that attacks have been made against the core fandom base of Star Trek including from the stars themselves who have railed against the negative comments. It is no secret that many of the core fandoms have not embraced this re-imagined storytelling of Star Trek.
Why force an agenda where Spock has an adoptive sister where none existed in the first place. Instead, why not write something new with a different set of new canons to explore? You wound up altering the images of the Klingon race so much so that they wound up looking like a new species of lizard people and nothing like the Klingons we’ve come to know. One thing you did do was listen to the fandom and now the Klingons will have some hair on their heads as opposed to that reptilian look. That’s the only thing you have given in to otherwise, you’ve double down on the anti-fan approach and ignored the core audience,
And then there is the copyright lawsuit against CBS/Star Trek: Discovery and game developer Ana Abdin surrounding the use and storyline of the Tardigrades. The Tardigrades where mentioned again in this Season 2 episode that surprised me considering the case had recently been heard in court and not in favor of CBS. It’s nowhere near to being settled but on the surface, it looks as if CBS and Star Trek: Discovery did a bad bad thing by stealing Abdin’s work that he had published back in 2014.
There are a lot of questions surrounding this production. How well are the subscription numbers? Is there any truth to the bias reviewing process with Rotten Tomato? Are they not really writing reviews but instead highlighting puff piece articles? Is Michael Burnham a hive queen? This was just the first episode. I don’t think I’ll return for another visit to this universe. The science isn’t just there.

Wednesday, January 2, 2019






The Raping of Dana Scully

and Other Fandom Revolts From Star Wars to Dr. Who to Captain Marvel

By Bobbie L. Washington
There are few shows that come along and create a wave of fandom that becomes part of the social fabric in a modern day society. Back in the ’90s, there was this little startup network called Fox that was trying all sorts of things to garner eyeballs to the fledgling network at the time. It had one sure-fire hit, Married With Children, but that wasn’t enough to keep buttering the bread for a network striving to become at that time, part of the big three before cable. One day, a man named Chris Carter, came to Fox with a program called The X-Files. He proposed this show about two FBI agents, a man, and a woman, who would be charged with investigating the unexplained, the unusual, the unique, the, it doesn’t fit into a category of one plus one equal two cases. The show introduces us to two of the most iconic characters that have ever hit the small screen in such a long time. Dana Scully and Fox Mulder came to us as polar opposites that didn’t fit on paper but did fit in actuality from that bold start.



We had come to know them, their angst, their struggles, their lore, their identity, their fears, their love to name a few. We created a unique coupling term for their tense gaze upon one another called shippers., short for a relationship because of the many moments of the show where you saw this unfolding of feelings they had for each other. This became a slow buildup to an inevitable union that went on for nine years including one movie where they came oh so close. And when the show came to what was thought as the series end, Scully had Mulder’s baby, William, and all was right with the world. But then it came back for another season. They should have ended it sooner because it wasn’t the same when an absent Mulder in the first half of the season and Scully giving up their son to adoption. Maybe that was a sign of things to come because the fan base didn’t like it one bit. It would become a recurring topic as the show was rebooted in 2016 to an eager fan base and to put some closure to the one thing that was left unanswered, the whereabouts of William.
We wanted to know if the longing Scully had for her child would be quenched? That unwavering motherly bond has never stopped for Scully. It was that living ghost that burned ever so brightly as she silently mourned that absence. We would get that answer in this telling reboot but the price for that telling would come with a devastating impact. Mulder had always questioned Scully’s pregnancy as she had been rendered barren by a medical procedure when she was abducted. Even though he may have believed in a miracle, in the back of his mind there was another answer. He soon grew to the idea that the baby Scully was carrying was his and so did the fan base fully at 100%. But this turned out not to be the case.
Cigarette Smoking Man, or CSM to his friends, was back as a case of gonorrhea. Chris Carter brings this guy back and you know it’s not a good thing, As he takes a puff on that Marley cigarette, he proudly tells Walter Skinner that it was he who impregnated Dana Scully after slipping her a roofie. This was a sucker punch to the fan base on so many levels. Dana’s pregnancy was based on rape. You can’t sugarcoat that or make it comfortable with words no matter how you try. She was raped. Do we need to know the mechanism of how CSM did it? No! He just did it for his twisted nefarious end that justifies the means logic.
This revelation changed the entire mythos to the X-Files dynamic. Why was this scenario added to what could have been another approach to William’s birth and parentage? Why would Chris Carter deny Mulder the chance at being a father? Mulder too bore the pain of missing what he thought was his son. This revelation was cruel. Chris Carter had done a total disservice to everyone. It was as if the reboot was for nothing. We had tuned in specifically for this reunion only to get kicked in the gut by Chris Carter. Why would he go through the trouble of doing a reboot only to smack the fans in the face with a rape? Had he not been listening to the fan base, the fan base that kept Mulder and Scully alive all of these years after the initial run? It seems as if a lot of the fan based driven film and TV shows are not getting the love from the showrunners these days.
Dr. Who, the time jumping Brit from the BBC is a woman now. There was a big fanfare surrounding her debut and the initial numbers, ratings-wise, reflected an interest of that first offering. As the days went on, there were the reviews from Rotten Tomatoes that showed the critics was giving the show a 94% favorable ratings after that first initial showing mainly because they focused on her being a woman and not the content. The audience however ignored the woman factor and instead focused on the content and they did not please. Currently, on Rotten Tomatoes the audience ratings have it at 24%.
https://www.youtube.com/watch?v=2OghH48c_P0



They were not pleased with the story content, the political correctness, the social justice warrior aspects, the poor acting just to name a few. And to the show itself, they don’t want to acknowledge the audience reviews and instead want to lay the problem on white males but if you dig deep, it’s more than just white males, it’s women, it’s minorities, it’s everyone in the mix. There are so many YouTube videos bemoaning the quality of Jody Whitaker and her acting and the content of the show that the showrunners can’t just keep ignoring the problem. These are the hardcore fans of the show that they will not acknowledge.
And then there is the Star Wars franchise. You wouldn’t know that Star Wars has a problem with its fan base because Disney doesn’t want that information to be let out. But there apparently is a problem with the Star Wars franchise that’s been going on for quite some time culmination in the disastrous box office returns for Solo: A Star Wars Story.
https://www.youtube.com/watch?v=dK2l1y0dqfM



When you dwell deep into the Star Wars Wars lore, you’ll find that the fan base is having a problem with how Star Wars has evolved into characters becoming Mary Sues and a myriad of things not becoming of Star Wars. And here is the thing, these fan bases are the thing that makes these movies great and the powers that be aren’t listening to them. Instead, Disney and people associated with Star Wars are attacking the fan base, the main people that put money in your coffers and pay admission to your theme parks. Is that a good idea to bite the hand that feeds you?
The Marvel Cinematic Universe is giving us Captain Marvel coming up. If you saw the first two trailers, it doesn’t move you one bit to see it. Captain Marvel is supposed to be crucial in the upcoming Avengers 4: Endgame movie so to make her character plausible so they have spent over $200 million to make a movie about a third tier superhero that has no star appeal to the fan base. The star of Captain Marvel, Brie Larson, is not winning over any fans based on the trailers presented so far.



And she has also made comments that target the tried and tired refrain of attacking fat white men as the problem with whatever it is that she’s railing against. White men are catching hell just for being white men even when they haven’t done anything wrong. I guess they understand what it is to be a black man these days?
From what I’ve been gathering form both male and female critics surrounding Captain Marvel, the consensus is not good or bode well for Captain Marvel. I’m seeing it making Solo money at the box office. I don’t see how they could spend that kind of money on a third tier superhero just to justify her showing up in Avenger 4, that’s an expensive tab that may not get the results they may be looking for.
It seems that there is this trend to defy the fan base. The fans are the one that makes your movie and TV show a success. The fans are the one that helps bring back a canceled show (Hello Timeless, goodbye Timeless). The fans are the one that shows up every year to Comic-Con where you hawk your shows. If your fan base thinks that Michael Burnham from Star Trek Discovery is a Mary Sue, maybe you should take it under advisement? More and more, the fan base to many stalwart franchises is starting or have started revolting against these shows because they have strayed too far for the core ideal of what the show represents. In the last few years, things have changed and the landscape has changed as well. Social media has become this unruly behemoth gnashing at everything in its path and people are capitulating to the beast by becoming impotent close. Film critics to established media outlets like Rotten Tomatoes and IMDB are consider paid shills for goody bags to the fan base and independent critics don’t believe the hype surrounding some of the tentpole films and have pledged to dig deeper into the numbers.
Independent film critics like Grace Randolph from Beyond The Trailer and MechaRandom42, both YouTube darlings, have been outspoken when it comes to what is really going on with film production houses, the numbers behind the project and what’s going on with the top execs and just plain insightful as a whole as they get inside scoop from some credible sources.



While Grace takes more of a diplomatic approach to her review process and inside knowledge, MEchaRandom42



will cut you long and deep and will not apologize while you bleed out. You just can’t turn away.
So where does that leave the hardcore fans? Where does that leave the studios? Do they the studios double down and look at the almighty dollar as their true believer while ignoring the thing that brought them here? Do the hard cores accept the inevitable in that the studios control the horizontal and they control the vertical? Disney did decide to pull back the Star Wars franchise after the dismal Solo movie since it stalled out from making a billion dollars. Quite frankly I was never fond of the idea that Disney now controlled the Star Wars franchise as well as having Marvel in their grasp. George Lucas saw that the devil’s horns were in the shape of mouse ears that lulled him into a false sense of security. Take heart fandom from all corners of the globe, your voices will be heard. The rebel alliance isn’t done yet.